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Taipuva Luotisuora, Finland



News: Taipuva Luotisuora have returned in 2017, after a two year break, playing live concerts well into the summer. No word yet on a new album.


Location: Turku

Overview: Taipuva Luotisuora started as an Ozric like band before incorporating post rock and space rock elements in their sound.

UMR notes

Taipuva Luotisuora - Planetaariset Ilmanpainevyöhykkeet. 2004 (Demo)
Taipuva Luotisuora - I. 2005 Kaakao
Taipuva Luotisuora - II. 2006 Kaakao
Taipuva Luotisuora - IV. 2009 Kaakoa
Taipuva Luotisuora - 8. 2013 Kaakoa. CD + LP.

Taipuva Luotisuora are absolutely one of the best albums in the Ozric Tentacles genre. Perhaps second only to Hidria Spacefolk.

For their debut album, I had a little fun with the below review, which I wrote for Gnosis some 7 years ago:

Deep in the dark forests of Finlandia, where lurks the mysterious Hidria Spacefolk, hushed whispers abound of another pagan tribe nearby known as Taipuva Luotisuora. On one dark misty night we ventured carefully over, and while peeking through the leaves, we listened to the tribe perform their magical brew. A small, furry group, only numbering five, armed with guitar (electric and acoustic), bass (fuzz), drums, percussion, synthesizers galore (some even fuzzed like the Farfisa’s of previous civilizations), piano, violin, flute, and even kantele (a Finnish zither like instrument). They played with a strong sense of the groove, with gorgeous melodies. They are sometimes quiet, sometimes intense. Always mesmerizing. Sometimes they’d even use modern percussion. In fact this infatuation with modern electronica reminded us of that distant tribe from the land of Hungaria known as Korai Orom. Sometimes we even thought of the ancients like the Ozric Tentacles people. For as much as we tried to walk away and head home, we were entranced, no one could stop their endless stare. We hadn’t felt this way, well, since the last time we visited the Hidria Spacefolk. When it was finished, we looked at each other and thought, Taipuva Luotisuora are the best new tribe we’d visited in years. We raced home to tell what we had saw, but no one knew who we spoke of. Go to the mountaintops and yell ‘Music For Kortela Space Hood Elevators’ we said. And o’er the land, our people were wiser and filled with joy.

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After being completely blown away by their debut, I rushed out to buy the followup which had just been released at the time I’d discovered the debut. Some noticeable changes have taken place in the short year since. The guitars are slightly heavier, not quite metal, but a distinct modern hard rock crunch is present. There are now vocals, which could be a great addition for a band like Taipuva, but I felt they’re executed all wrong for the exotic music at hand. First the lyrics are in English, rather than the more interesting and non Indo-European Finnish. Worse, they’re delivered with the whiny American indie style that seems will never go away (sigh). Perhaps a more mysterious approach to the vocals (female, echoed, whispered) would be far more interesting for the music that Taipuva play. The instrumentation seems stripped down a bit (though the liner notes still call out the kantele, violin, Hohner Melodica, and woodwinds). Also, not near enough of the Hidria Spacefolk, Korai Orom sound as prior – though as a plus I do hear some of the much missed Dutch group Kong. And finally, the modern electronica sounds of the debut are even more in use here, most notably on ‘Uotila’ and ‘Unaja Infinite Laser’. Now this latter point actually demonstrates some progress for the band. Like a good movie director would employ, the special effects are used to enhance, not overwhelm the proceedings. I don’t want to overplay the negative here with the vocals, as “Viking Zulu” does possess a good voice, and there are only 4 tracks where they are utilized, out of 9 total. In some ways, all the tracks (including those with vocals) are more complex than even the first album, which is outstanding to see. Still, the “Taipuva Luotisuora tribe” that the music created for my imagination is missing here. So probably this album is the one that is favored by the majority, but I found it more typical of the underground scene. I miss the exotic nature of the debut. Not wanting to send the wrong message here – this is still a fantastic album, just a bit disappointed that it seems to be a step towards the middle.

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Seems that many new bands are attracted to the post rock sound, and Taipuva Luotisuora are no exception. Now normally I'd associate the moniker with the "dull" adjective, but in the hands of the almighty Taipuva Luotisuora, they take the lethargic yet melodic approach and add quite a bit of complexity to the proceedings. There's also a big sweeping sound that gives "IV" a cinematic quality rarely heard in digital form. Analog 70s styled Moog synthesizers provide many of the solos, adding a much needed warmth to the overall sound. Copious use of tuned and hand percussion is another plus. Fortunately Taipuva Luotisuora have foregone the vocals (excepting some wonderful atmospheric wordless voice), though it also appears that they've ventured away from pyrotechnic guitar solos as well, which is missed. And the indigenous kantele is never too far away. "IV" is a step forward for the band.

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"8" starts off like a space rock version of Led Zeppelin's 'Immigrant Song', before settling down into their usual cosmic groove. The guitars are noticeably heavier than prior, and they seem to be circling the post rock genre a bit more closely than before. Faux organ sounds are never a bad idea, and nice to see Taipuva Luotisuora applying both that and the rare guitar solo back in the mix. Overall, "8" may be their most straightforward disc to date. I for one would like to see them reach back to their debut for some inspiration on future works. This is the first album where I feel they have stopped innovating. Too comfortable. But it's still excellent!

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It appears the bands naming convention is 2 to the (x-1) power where x is the actual release number (not counting the demo of course). We'll see if that holds up. If so, the next album will be either "16" or "XVI".

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The ongoing HiPo list

Read about this the purpose and idea of this thread at the bottom of this post. Feel free to opine on any of these albums as you wish.

New additions (moved forward with this post)
Cosmic Triggers (Russia)

Karakorum (Germany)

Kungens Män (Sweden) This band many releases already, and 5 are durable mediums. Looks like a group to check out at least one of.

Professor Tiptop (Norway)
Weserbergland (Norway)


Prior entries that have yet to be purchased or heard
Cherry Five (Italy) Reformation album, so won't consider this against the 1975 album.

Consorzio Acqua Potabile - Coraggio e Mistero (Italy) New album with Alvaro Fella (Jumbo!) on vocals. Considering this HiPo because of the Fella presence

Fatal Fusion (Norway)

Il Fauno di Marmo (Italy)

Hadal Sherpa (Finland)

Jordsjo (Norway) OK - just a quick update that Jordsjo will have a CD out in the fall. Yaay!

Merry Go Round (Italy)

Mythic Sunship (Denmark)

The Winstons (Italy)

Witchwood  (Italy)

Wucan (Germany)

Prior entries that have been hear…

Anglagard, Sweden

News: According to the band's website from October 8th: "The band has gone into songwriting mode after several concerts in North America (which happened to include full renditions of "Hybris"). In related news, Jonas, Johan and Erik have apparently started a side project with Thomas Johnson playing some sort of progressive jazz music. In terms of website news, the recent DVD releases have finally been added to the discography." Great - add a distraction there. These guys are hilarious. Probably by 2024 we can expect a new album then...

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Location: Stockholm

Overview: Probably the foremost contemporary post 1990 band to capture and recreate all that was great about the early 1970s original progressive rock movement.

UMR notes

Omnia Opera, England

News: Omnia Opera are still kicking! They're actively looking for a new keyboard player, so it seems they're ready to get going again. They also have an offshoot band called 7Shades and they recently played with The Oroonies - yet another blast from the past. Both of these bands have old cassettes that are in dire need of reissue.

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Location: Kidderminster (SW of Birmingham)

Overview: Omnia Opera can best be described as a heavier and more in-yer-face variation of the classic UK festival space rock sound. More Hawkwind and less Gong that is to say. About the only band I can think of that rocks harder than Ozric Tentacles in this genre.

UMR notes

Homunculus Res, Italy

News: It appears the new album from Homunculus Res will be coming in November, based on a comment back in August. So great news there. No title or cover as of yet, so I'll leave the second album up.

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Location: Palermo, Sicily

Overview: Homunculus Res is a tremendous new Canterbury styled band from Italy that have perfectly captured the spirit of another era. Brilliantly mixing melody and complexity, with a jazzy undertone.

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Secret Saucer, USA

News: Secret Saucer have just released their 7th album The Reset. It appears to be LP only at the current time (and released in Germany). I've lost track of Secret Saucer, as I haven't heard anything from them since Tri-Angle Waves in 2009.


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Location: The band usually just state that are from Ohio, but if I recall right they are from near Cleveland in the northeast part.

Overview: Secret Saucer could best be described as a space rock jam band. Similar to Oresund Space Collective and  others of its ilk.

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October Equus, Spain

News: There's talk of a new album, and in at least one post, it was discussed it might be without a rhythm section - a chamber type work. Nooo.... don't do it! Resist the temptation. :-) Permafrost, from 2013, remains the last album, and I never did get any notes down for it. I'm sure I will eventually.

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Location: Madrid

Overview: October Equus'first album was almost like a psychedelic Present (Belgium), a very interesting combination that I found highly appealing. With each subsequent release, October Equus ups the ante on complexity, while toning down the more jamming aspect of their sound.

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Nuova Era, Italy

News: Return to the Castle was released late last year, and has received mixed reviews. It would appear their controversial decision to move to English has divided the fan base.

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Location: Firenze/Florence

Overview: Probably more than any other band, Nuova Era can be credited with bringing back the classic early 70s Italian progressive rock sound... kicking and screaming into the 90s. The band has reformed in the 2010 decade, though strangely they've moved to English vocals, something that goes against the very core of the style. I haven't heard them yet, so can't say how successful the reformation has been.

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Quaterna Requiem, Brazil

News: Quaterna Réquiem are very active on the live front in their home country of Brazil. No word on a new album though.

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Location: Rio de Janeiro

Overview: Quaterna Réquiem were one of the first bands of the late 1980s/early 90s progressive rock renaissance to review the works of the Mediterranean bands such as Quella Vecchia Locanda and Gotic, rather than the standard English "Big 3" of Genesis, Yes, and ELP.

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Lumerians, USA

News: Lumerians are very active playing live and touring. There's talk of a new album, but nothing since Transmissions From Telos Vol III from 2014 (which came after IV...) - an album I haven't heard yet myself.
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Location: Oakland, California

Overview: Lumerians' rhythms are pure Krautrock motorik, straight from the Can and Neu! school. The dreamy vocals recall Barrett era Floyd, or perhaps more to the point, the early 90s neo psych of Sun Dial

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Astrakan, England

News: In 2016, Astrakan released their 3rd album Hidden Agenda. I haven't heard it to date. Otherwise not much to report here.

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Location: London

Overview: Astrakan are a fine band operating between Canterbury and jazzier forms of rock. Comets and Monsters adds an avant prog edge.

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