Psychotic Waltz, USA
Location: San Diego, California
Overview: Psychotic Waltz were one of the more exciting of the tech/prog thrash bands of the early 90s, churning out 4 highly inventive albums through 1996. They have reformed and it appears their new album will be of a similar mindset.
Free System Projekt, Netherlands ***Inactive***
Berlin School electronic
Latest: British Aisles Volume 2 (2019)
Gent (2007)
The Dutch collective Free System Projekt have long been considered one of the finest groups playing in the Berlin School revivalist style. Raging sequencers, mellotron overlays, and analog synthesizer soloing are the order of the day.
Moyland (2005)
Free System Projekt is yet another band we're featuring here that comes from the Tangerine Dream retro movement, that is found more predominantly in the UK, but also has a huge following in the Netherlands as well. When Tangerine Dream moved in a different direction following their "Virgin" years after 1983, no one really took the baton and ran with it. Now that doesn't mean electronic music died. Not even close. There were tons of other artists operating in this field, almost all of them solo acts, and none had the massive amount equipment that Tangerine Dream possessed (other than maybe Klaus Schulze of course). And as any fan of classic Tangerine Dream will tell you, it's a style of music that has many possibilities. The key to success is not only a large amount of both old and new keyboard toys, but it also helps to have more than one band mate - for the synergy of ideas that multiple people can create.
The big names in the Tangerine Dream renaissance are the British bands: Radio Massacre International, Redshift, AirSculpture, Under the Dome, Arc and many more. And the main representative in Holland is Free System Projekt. And truth be told, FSP are probably the most sycophantic to the original T. Dream sound (especially the Baumann trio years). But it's still highly original music within the confines of the style. It's as if someone uncovered numerous more Tangerine Dream recordings from 1974-1977. You can't wrong with a Free System Projekt album, at least of the ones I've heard, and that's most of them. Moyland is but only one great example. If you love complicated sequences, with mellotron overlays and wild synth soloing - the Free System Projekt is for you.
---2/15/10
Protoavis (2004)
The hard part about reviewing any Free System Projekt album, at least from this era, is trying to come up with something new to say. I suppose figuratively one could make a similar claim about FSP - that is, musically they have nothing new to say. But nothing new, while still being great, are not mutually exclusive comments. On Protoavis, Free System Projekt have completely zoned in on the 1974-1975 era of Tangerine Dream, where the sequences remind one of Phaedra and the overall atmosphere and style are more toward Rubycon. This is my personal favorite years of Tangerine Dream, so of course I'm going to enjoy Free System Projekt. Not enjoyment at the same level mind you - one cannot replace the magic of initial discovery in one's youth - but the familiarity makes it comfortable. A safe place to cuddle up in.
---9/24/17
Passenger 4 (2004) w/Dweller at the Threshold
Probably the least inventive of the FSP albums. Not only is it influenced by Rubycon, it's almost a cover version of the album. Which doesn't make it a bad effort. But given how many albums I already own in the style, including by Tangerine Dream themselves, this album comes off as "too much of the same thing.". Gotta go, Joe.
---2/19/24
Atmospheric Conditions (2002)
Atmospheric Conditions is a two CD set compiled of various outings from 2001 and 2002, including live stints in the USA and England. The Dutch collective Free System Projekt have long been considered one of the finest groups playing in the Berlin School revivalist style. Raging sequencers, mellotron overlays, and analog synthesizer soloing are the order of the day. Though the various tracks are all improvised, the sound is remarkably consistent, and the end result seem like variations on Tangerine Dream's Rubycon. In my mind, that is T. Dream's finest moment, so any group who can emulate that same composition style are much welcome here.
---9/14/16
Okefenokee Dreams (2000) w/Dave Brewer
There are few bands that emulated Tangerine Dream's mid 70s years as effective as Free System Projekt. At this point FSP was just Marcel Engels, and on the first Okefenokee gathering, he's joined my American electronic musician Dave Brewer. They go about creating 73 minutes of sequencer based Berlin School music. No surprises here at all. Honestly I have too much of this kind of music, but I have a soft spot for this title, as it was one of the earliest revival CDs I had picked up (real time when it was released). For the next 6 years or so, I loaded up on dozens of titles like it. I have already begun to shed some of those titles, selling to an audience still hungry for anything and everything Tangerine Dream like. But I won't do that with Okefenokee Dreams. Not so much because it's that much better (it's not), but rather its place in my personal history.
---4/19/20
Pointless Reminder (1999)
Of all the current bands playing in the retro Berlin School of sequencer based electronic music, Dutch ensemble Free System Projekt may be the closest in imitating the original pioneers. Especially the Tangerine Dream variant circa 1976 to 1977. For some, Free System Projekt are no doubt likely to irk purists, and state they are nothing more than plagiarists. But I don't feel that way strangely enough. The style of music that TD laid down 35 years ago is open in nature, one that can be explored in a variety of different ways. I've heard most of FSP's official releases (including collaborations), and I'd probably rate this first album as their best. But they're all very good.
---2008
7/20/11 (new entry)
Thieves' Kitchen, England ***Inactive***
Location: Oxfordshire
Overview: Not too many bands where one uses the terms neo and retro in the same sentence, and yet it applies here. Anywhere between IQ and Anglagard one will spot the sound of Thieves' Kitchen.
UMR notes
Purson, England ***Inactive***
Location: Southend-on-Sea, Essex
Overview: The Circle & The Blue Door was an homage to 1971 England, whereas Desire's Magic Theatre seemed more geared toward 1969. They're going in the wrong direction for my tastes, but still intriguing enough to leave as an A-lister.
UMR notes
Pholas Dactylus, Italy
Location: Milan
Overview: Pholas Dactylus were a previous "one off" band who released a classic album back in the 1973 heyday. It's most distinguishing feature being that the vocals were narrated/spoken verse sung. I have no notes from UMR to share, though I've owned the album in question for well over 20 years. We'll get to it eventually...
Galaad, Switzerland
Location: Moutier (NW of the country near Basel and the French border)
Overview: One of the best bands of the 90s to emulate that French Theatrical Progressive rock sound as originated by Ange and Mona Lisa.
Woodenhead, USA
Location: New Orleans, Louisiana
Overview: Starting as a relatively normal fusion band of the late 70s, Woodenhead continued to up the energy level as they got older. A fine, and yet still undiscovered band.
UMR notes
Dreadnaught, USA
Overview: King Crimson meets Boud Deun and Fred. I can already anticipate your next question. Who is King Crimson?
UMR notes
All Traps on Earth, Sweden ***Inactive***
Latest album: A Drop of Light (2018)
A Drop of Light (2018)
For 2018, All Traps on Earth had all the earmarks of an album-of-the-year type recording. This designation has been trumpeted by many, including by those whose opinions matter to me. And... that's what it ended up being. However, I could see this one being overtaken. But for now, it is in fact the best thing I've heard from 2018.
And why is that? Well... albums such as Drop of Light are so in-the-pocket prog, it makes one wonder why more bands don't do it. The critics of these types of albums - and you see this ALL the time - just throw out that tired trope of "it's been done before". Folks, I have bad news to break to you: everything has been done before. It's just a convenient phrase for saying "I don't like it". That's OK, you don't have to, but don't bother rationalizing it in that way. But for fans of the genre, All Traps on Earth, Wobbler, and Änglagård will always find themselves in the top spot, or close to it. The real reason you don't hear bands do this style much is because it isn't easy to accomplish at all. It's about the substance more than the style. And all us grizzled prog veterans will know instantly when someone is trying to pull the wool over our eyes (or ears). Paul Stanley of Kiss liked to recount that they received the same criticism in their line of work. He would always respond: "Yea, if it's so easy, why don't you do it then?" Well said.
Which gets us back to All Traps on Earth. No matter how hard one is going to try, it's pretty difficult not to think of this as the 4th Änglagård album. And of course that's because it has their direct lineage. Honestly I think if you paired up Johan Brand and Thomas Johnson and they started a new disco funk band named Studio 54, the end result would sound like Änglagård - in 4/4. It's like the Scorpion and the Frog parable. It's the essence of who they are. Joining Brand and Johnson is current Änglagård drummer Erik Hammarström and Brand's daughter Miranda on (wordless) vocals. Plus a host of guests, most notably Matthias Bååth and Magnus Irving Båge on flutes/recorders, with Fredrik Lindborg on various reeds. Also present is guitarist Phil Mercy, leader of the English group Thieves Kitchen, yet another band that Johnson turned into Änglagård.
The opening title track is the most dense and difficult. As a whole, All Traps on Earth are more "rehearsal intensive" than the more swinging Änglagård (who are by no means a jamming groove band either). Miranda's non-lyrical vocals are operatic, offering a dark atmosphere. It's somewhat like Shub Niggurarth in this way. On this point, there are Zeuhl references throughout the album, but in no way is this a Zeuhl album. Johan Brand is no Bernard Paganotti, two bassists performing completely different styles, each defining their niche in the progressive rock world. 'Magmatic Warning' further advertises their love for Zeuhl, and there's some cyclical grooving Fender Rhodes here that is the closest All Traps on Earth get to Magma. Toward the latter half of the song we are introduced to charted tuned percussion and flute - and this is prevalent throughout the third track 'Omen'. And what does that read like? Exactly - Dun's Eros. Wow! Almost no one these days emulating that sound (or even in those days...). So Dun mixed with Anglagard! I know, get a paramedic out here and quick... And finally that gets us to 'Bortglömda Gårdar', where they take off their mask and say "ahh let's give it up - we're Änglagård after all aren't we?"
Full hardbound books have already been written about this album, so if you need a bar by bar detail, it's probably out there. Suffice to say, if you're a fan of retro prog (i.e. 70s complex prog), then it's hard to imagine All Traps on Earth not registering in the red zone. Buy it.
The Spacious Mind, Sweden
Overview: One of the earliest of the space rock revivalists from the early 90s, The Spacious Mind has an impressive discography spanning 20+ years.
UMR notes
Sonora Sunrise, Russia
Location: Barnaul, Altai
Overview: Sonora Sunrise are part of the Russian space rock movement that contains exotic female voices, haunting keyboards, pounding / shifting rhythms, and fuzzed out psych guitars.
UMR notes
Gunter Schickert, Germany
Location: Berlin
Overview: Schickert likely needs no introduction. He was one of the pioneers of using the electric guitar as an electronic instrument, replicating sequencing using sound on sound looping techniques. Along with Gottsching and Reichel, Schickert is one of the legends.
UMR notes
Sanhedrin, Israel ***Inactive***
Overview: An excellent modern band from Israel capturing the European Warm progressive sounds of bands like Asia Minor, Minimum Vital, Solaris, and Rousseau.
UMR notes
WintherStormer, Norway
Overview: Berlin School enthusiasts with a sound like Radio Massacre International due to the addition of guitar.
UMR notes
La Fabbrica dell'Assoluto, Italy
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